Film Director & Video Artist
Moving image work explores perception as a relational, recursive, and sensuous process—where reality is not simply represented, but co-emerges through movement, sound, image, and gaze. Drawing on her background as a dancer and sculptor, she approaches filmmaking as a spatial and corporeal practice—sculpting time and perception through an improvisational lens.
Her films often unfold in co-emergence with the moment, allowing the material to compose itself through spontaneous interaction with the bodies, environments, and textures present on set. Improvisation is central—not just as a method, but as a philosophy. Each work opens space for reality to manifest through the dynamic synthesis of intersubjective perspectives, forming a kind of dreamlike organism that reshapes itself in real time. The result is a porous, sensuous composition—vibrating with the residue of shared presence and relational becoming.
Influenced by panpsychism, somatic practices, and the phenomenology of embodiment, Anna’s work dissolves conventional perspective. Inspired by Pavel Florensky’s writings on iconographic space, she experiments with polycentric and reversed perspectives—where the viewer is not positioned outside the frame, but folded within it. The gaze becomes multidirectional and self-aware: perception perceiving itself.